Mario Martins Atelier designed this swimming pool at a home in Portugal, where the design intention was described as “simple with a quiet presence, and where the natural vegetation, of almond and carob trees, typical of the Algarve countryside, predominates.”
Photography by Fernando Guerra FG + SG
Casa Brutale is a geometrical translation of the landscape. It is an unclad statement on the simplicity and harmony of contemporary architecture. It is a chameleonic living space, created to serve its owner and respect the environment. It is the inverted reference to Casa Malaparte, encased and protected by the tender earth that has hosted the human civilization for millennia. It is a complete study of aesthetics, structure, function and engineering, which thoroughly detailed, awaits solely its realisation.
Casa Brutale is OPA’s challenging vision of innovative architecture, where innovation refers to long forgotten terms such as ambience and materiality. Its subtle form allows for the magnificent view and the game of light and shadow to take center stage. The residence is constructed with simple materials: wood, glass and concrete, the convergence of the surrounding earth and water. The landscape is integral to the underlying concept, since elements penetrate and prevail over the construction. The roof of Casa Brutale, a glazed bottom swimming pool, is a continuation of the poetic Aegean Sea and in perfect communication with the vast blue of the Greek sky.
In essential simplicity, Casa Brutale is defined by three thick concrete slabs with all the installations preformed. The crystalline pool, made by reinforced glass, is set between the walls to smoothen the hard materials and let the abundant natural light through, illuminating the residence. The enormous glass façade frames and extracts the beauty of the Aegean. And small details of black-coated steel and brown/red aged wood complete the composition.
In literal groundbreaking integration, Casa Brutale penetrates the landscape. The underground building benefits from a perfect homeostatic mechanism with thermal insulation from the surrounding ground, and the cooling properties of the swimming pool. The optical impact of the building on the landscape is minimal, with only one façade on the cliff side and no volume extruding from the ground level.
Light penetrates the transparent or semi-transparent surfaces of Casa Brutale, bringing it to life. The dynamic light patterns caress the bare concrete with refractions and shadows. Bare concrete, or beton brut, is the finishing technique that gave the name to both brutalism and Casa Brutale. Raw, unpretentious, monolithic, marked by the wooden planks used to mold the casting.
After descending 50 stairs to the Aegean, under the shadows of epic concrete beams, you reach the entrance (also accessible by elevator). The tall, rotating door of aged wood (with the axis at ¾ lengths) opens to a breathtaking sea view, through the glass façade. The remaining space is bare, pure and simple; minimalism at its best. A concrete cast dining table is combined with concrete benches, clad with warm wood. Smooth curves sculpture the fireplace on the wall next to the bench. Behind the dining table, the guest room is formed under an old-fashioned Zoellner slab with a glass corner. Next to the guest room, there is a small passage to the utility rooms (storage room, bathroom and WC).
An inner staircase consists of thin, steel steps that allow the optical continuity from the kitchen to the glass façade. The staircase leads you to the mezzanine floor, where the master bedroom is exposed to the same overpowering vision of the Aegean. The bed is cast of concrete with wood finishing, while the walls are covered with mirror to enhance the play between light and shadows.
Casa Brutale redefines the harmonious coexistence of human and nature in a poetic homage to pure Brutalism.
Photography courtesy of A.D.D. Concept + Design
Farmhouse by A.D.D. Concept + Design (Farmhouse by A.D.D. Concept + Design)
Built on a coconut plantation outside of Mumbai, India, on the Arabian Sea, Studio Mumbai’s Palmyra House is a place of refuge, not only from the city but also from people (houseguests possibly included). The 3,000-square-foot setup is split into two wooden louvered structures, each constructed using local traditional methods and wood. One building contains the living room, study, and master bedroom; the other houses the kitchen, dining room, and guest bedrooms. And should the occupants be feeling convivial, there’s a long, thin pool, perfect for swims together while sharing the expansive views out to the sea.
Hanway, C. (2015, May 27). Architect Visit: A Louvered Beach House on the Arabian Sea: Remodelista. Retrieved June 3, 2015, from http://www.remodelista.com/posts/architect-visit-a-louvered-beach-house-on-the-arabian-sea-studio-mumbai-palmyra-house
This new residential dwelling is situated in Swellendam at the door-step of the breathtaking mountains and valleys of Langeberg Mountains – a view so magnificent that the locals have named it “God’s Window.” It was because of this exquisite setting that simple forms and materials were chosen for the architecture, in order to facilitate a subtle intervention – to “lie gently” on the landscape. The buildings were constructed using largely local textures and materials reminiscent of its distinctly Southern African origins. In addition to the architecture itself, efforts were made to make the house and the land itself more sustainable. For example, the land was cleared of non-native invading species, like the black wattle. Also, all the water used in the house is harvested from the site itself, and as a result there is no connection to the municipal water supply line, making the house self-sustaining from a water perspective.
The buildings that comprise the house, while simple in form and texture, are intentionally oriented on the site to engage the surroundings. The house is composed of three discrete box structures forming three edges of a private courtyard. The largest box form contains the public areas – the entertainment, living, and kitchen spaces. This box, with its glass façade and uplifted roof, opens itself up completely to its surrounding. In contrast, the smaller boxes, flanking to form either side of the courtyard, include the private domains of the bedroom and bathrooms, and on one side, a movie room. These buildings are made of thick masonry walls and concrete roofs, which form cave-like, intimate spaces where one can retreat for solitary quietude. The purposeful orientation of these three buildings as perimeters to a courtyard creates a spatial relationship with the mountains, which, in essence, form the last perimeter of the courtyard. Moreover, the structural and material qualities of these buildings, accentuated even further with the line of the main roof structure ascending towards the sky, is in direct dialogue with “God’s Window” – as if the earth were communing with the heavens. (GASS)
GASS, . (n.d.). Swellendam. Retrieved from http://www.gass.co.za/index.php/portfolio/swellendam/16