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Posts tagged “modern elegance

The Makeover…It’s Personal – The Master Bedroom with Walk-in Closet and Ensuite Bath

The demolition and construction started in our service kitchen that will house our future Master’s Bedroom.

Since the whole house will apparently be uncomfortable to live,  we decided to prioritize the bedroom as originally planned and suggested to the architect.  This will be the Phase 1.  The room will accommodate my whole family during the renovation period.

We wanted the same requirements as in our previous one, but we wanted it to have a high ceiling, bigger space with the open shelves walk-in closet and ensuite T&B as usual.  The architect suggested making a customized king size bed frame with headboard, including the side tables.

This room has been our common bedroom, our refuge from all dust and mess from outside and temporary storage.  It was definitely an unwelcoming idea for my wife, but does she have any choice?  Even if it was not yet ready for the installation of the air-conditioning unit, it was immediately installed.


The Makeover…It’s Personal.

The House has gone through a number of extensions, renovations and repairs.  From a humble 25 square meters house on 69 square meters lot to about 700 (including a proposed 5-doors apartments at the back), can you imagine how many has been done through all these years?

With the generous help and support of Arch. Butch who provide an almost free assistance, we finally came up with plan to do what I can say “the realization of our dream”.  We were so scared as we know our budget seems not enough to start the project.

It was sometime October 2016, when we had the discussion and came up with the plan to have the renovation.  We just wanted to re-roof and improve the facade that would make all previous extensions looks like it was done at one time.

The sketches were drawn and shown to us by the architect.

November 2016 from these initial concepts, it started to snowballed into Olympic scale.  These drawing started to take its form as Juni, my well-trusted contractor, started to demolish, break, and rebuilt.   Deliveries of materials started to filed up our space and the first hollow block has been set.

What makes us finally decide to have this major decision of rebuilding our house?  It’s the leak.  This bungalow was actually designed and proposed for  another storey in the future.  So, obviously all the extension has been covered with a slab roof that would serve later as the flooring for the next phase.  Unfortunately, budget did not allow me to push with the rest of my plan yet and it’s a fact that a slab is not a wise idea as a shelter from rain.  The leaked damage our ceiling and other stuffs below it.  We have to bear that for several years, whilst spending money for repairing and repainting till the next rainy season, again and again.

Hence, we came up with the solution, to cover the roof of the whole house and forgo the idea of the having another floor.

From paper…

To the real thing (with long time business partners, Edgar for the trusses and Apollo for roofing installation).  The roof was a combination of Banawe and Multirib from Puyat Steel (0.50mm).

(To be continued…)


What Is Mid-Century Modern, and Why Do We Love It So Much?

We all know that styles are cyclical and, of course, the world of interior design is not exempt. The best aesthetics will be popular again and again. Right now, mid-century-modern design is making a comeback and, if you ask us, it’s for good reason.

What is it about this aesthetic that keeps us coming back for more over half a century later? We’ll tell you why mid-century modern will never really leave us — and how to work the style into your interiors while making sure they are rooted in the new millennium. After all, sometimes the old way of doing things really is the right way.

What Is Mid-Century Modern?

If you’ve ever seen an episode of Mad Men, you’re already familiar with mid-century-modern design. In fact, the term was coined in 1984 by author Cara Greenberg. She used it to discuss the signature looks of the 1960s in her book Mid-Century Modern: Furniture of the 1950s.

Though the moniker has become a bit broad in the past few decades, it’s most commonly used to refer to the styles that became popular in a post-World War II landscape. While there may be a few variations, most people agree that this time period extends from 1945-1969.

Interestingly, this style doesn’t just refer to aspects of interior design. It is commonly used as a descriptor for any architecture, furniture,  accessories, materials and technologies that grew in popularity after the end of the war.

It Showcases Simplicity

When you look at design projects that follow a mid-century-modern style, the one thing you won’t see is tons of excess. Rather than requiring a bunch of ornate embellishments, the mid-century look is all about stripping items down to their barest elements and letting their function become the star.

Keep this in mind when it comes to choosing the items that will fill your space. Look for furniture that has clean lines and, if needed, multiple uses. Stick to décor items that are modern or geometric in their aesthetic.

This concept should also be taken into account when it comes to designing the layout of your space. Rather than cluttering up the room, focus on choosing one strong focal area that will dictate the room’s function. For example, consider using a statement table in your dining room or creating an inviting seating area in your living room. Then, don’t be afraid to step back and allow negative space to play a key role in your design.

It Lets Us Play With Color

Of course, when you focus on bringing simplistic shapes into your space, it becomes necessary to add a layer of visual interest elsewhere. The mid-century-modern look does that by incorporating bold pops of color. Brooke Schneider, a designer based in Long Beach, Calif., explains it best:

“When homeowners think ‘color,’ they often think of the bright hues of the mid-century time period. With clear, cheerful colors, the 1950s exhibited a new American outlook of optimism that was comfortably removed from the drab war years.”

Don’t be afraid to go big with shades like blueberry, citron or fire-engine red. Just be sure to avoid mixing multiple loud colors like they did in that time period. Doing so might make your space look more outdated than retro-inspired. Instead, focus on tempering one colorful statement piece with more neutral hues to ensure a modern twist on this style of design.

It Connects Us With Nature

Since mid-century-modern design is all about simplicity, it makes sense that this school of style would harbor a strong connection to nature. In particular, those who are looking for ways to embrace sustainable design may be interested in what this aesthetic has to offer.

First, it’s important to consider how nature can affect the layout of the space. In mid-century architecture, large windows often play a key role. But anyone can work off those principles by making windows the focal point of your space whenever possible and making sure that they stay unencumbered from heavy drapery.

As for the design elements to fill your space, focus on choosing items made from natural materials such as wood, metal and leather or cotton textiles. Don’t be afraid to bring the outside in by adding greenery to accent your design.

There’s a reason why mid-century-modern design is present in our consciousness after over a half-century since its debut. Whether it’s the clean lines, bold colors or connection to nature, this school of style is currently making a big comeback in interior design.

“What Is Mid-Century Modern? – Freshome.” Freshomecom What Is MidCentury Modern and Why Do We Love It So Much Comments. 8 Oct. 2015. Web. 8 Oct. 2015. <http://freshome.com/mid-century-modern/&gt;.

This Swimming Pool Sits Comfortably In The Countryside Of Portugal

Mario Martins Atelier designed this swimming pool at a home in Portugal, where the design intention was described as “simple with a quiet presence, and where the natural vegetation, of almond and carob trees, typical of the Algarve countryside, predominates.”

Photography by Fernando Guerra FG + SG

“This Swimming Pool Sits Comfortably In The Countryside Of Portugal.” Accessed September 16, 2015. http://www.contemporist.com/2015/09/10/this-swimming-pool-sits-comfortably-in-the-countryside-of-portugal/.

Farmhouse by A.D.D. Concept + Design

Photography courtesy of A.D.D. Concept + Design

Farmhouse by A.D.D. Concept + Design (Farmhouse by A.D.D. Concept + Design)

https://homeadore.com/2015/05/12/farmhouse-add-concept-design/


GP House by Bitar Arquitectos

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Photographs: Leonardo Walther

Bitar Arquitectos have designed the GP House in Hidalgo, Mexico.

 

“GP House by Bitar Arquitectos.” CONTEMPORIST. N.p., 26 Mar 2013. Web. Web. 27 Mar. 2013. <http://www.contemporist.com/2013/03/26/gp-house-by-bitar-arquitectos/&gt;.

 

 


Agua House by Barrionuevo Sierchuk Arquitectas

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(Photography by Daniel Tejo and Adriana Edith Sierchuk)

Barrionuevo Sierchuk Arquitectas have designed the Agua House in Buenos Aires, Argentina.

From the architects:

The site is 2.000sq. meters (21,530 sq ft), facing the Northeast, looking at the Canal Arias river, in the suburbs of Buenos Aires. It has 450sq meters (4,840 sq ft) and it is designed for a couple without kids, with, in the ground floor, a program of very big reception areas, that opens and closes by very big wooden sliding doors that hides into the walls.

In the first floor are the Master Bedroom and another small bedroom for guests.

The house is designed based on two stone walls (made of Laja Neuquen) that interact all over the house. The colour of the stone is the origin of all the color pallet of the house.

The landscape all the time gets to the building across it’s big crystal facades.

The light transforms the house along the day.

“Agua House by Barrionuevo Sierchuk Arquitectas.” Agua House by Barrionuevo Sierchuk Arquitectas. N.p., 18 Mar 2013. Web. Web. 19 Mar. 2013. <http://www.contemporist.com/2013/03/18/agua-house-by-barrionuevo-sierchuk-arquitectas/?utm_source=feedburner&utm_medium=email&utm_campaign=Feed: contemporist (CONTEMPORIST)&utm_content=Yahoo! Mail>.


Replacing a Burned Down House Surrounded By Experimental Vegetation: GK House

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Located in the historic district of North Carolina’s Chapel Hill town, the GK House sits on a 1.5 acre site sloping from east to west. Accessible via an easement through an adjoining property, this imposing structure gathers wood, stone and glass in a contemporary display of architecture. Originally part of the Coker Estate, where amateur botanist Dr Coker composed a distinctive collection of plants derived from his experiments, the house sits surrounded by woods and greenery that offer an original outdoor experience. Constructed after the sketches of Raleigh- based Kenneth Hobgood Architects, the residential structure replaces the original house that burned down to the ground and took part of the vegetation down with it. Collaborating with landscape architect Michael Van Valkenburg, architects managed to revive the grounds and compose a bright, cheery and stylish set of interior and exterior spaces, as you can see in the photos.  (Teicu)

Teicu, Ada. “Replacing a Burned Down House Surrounded By Experimental Vegetation: GK House.” Freshome Design & Architecture. N.p., 12 Aug. 2012. Web. Web. 12 Aug. 2012.


IKEA Catalog 2013

Now available…check them ONLINE.


Aradas House by RVDM Architects

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RVDM Architects have designed the Aradas House in Aveiro, Portugal.

 

“Aradas House by RVDM Architects.” Contemporist. N.p., 23 July 2012. Web. Web. 23 Jul. 2012. <http://www.contemporist.com/2012/07/23/aradas-house-by-rvdm-architects/&gt;.


The Caterpillar House by Feldman Architecture

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The Caterpillar House is a strange but beautiful combination of styles and influences. It is essentially a modern reinterpretation of a ranch-style house. At the same time, the mid-century influence is very strong. The idea of combining all these elements is an odd one but, when you think about it, these styles might not have much in common but combined they result in a well-balanced and original composition.

The house only has one level. This makes it long and close to the ground. If we also take into consideration the choice of materials and the architectural elements, we can say that the Caterpillar House integrates naturally into the surroundings. It’s almost as if it were there from the beginning of time. Given the fact that this is a ranch-style house, the close indoor-outdoor connection should be a given. The house rises from the ground and grass and becomes a part of the landscape.

Internally, the Caterpillar house is open planned. This is only one of the features of modern design. It has wood-paneled ceilings throughout, a feature that also continues outside, creating a continuous design. The interior thus becomes cozy and warm but also casual and elegant. Most of the furniture is also made of wood and features a modern and simple design. Also, the house is sustainable and beautiful at the same time.  (Ganea)

Ganea, Simona. “The Caterpillar House by Feldman Architecture.” Homedit. N.p., 15 Jul 2012. Web. 16 Jul. 2012. <http://www.homedit.com/the-caterpillar-house-feldman-architecture/&gt;.

 


‘house in las arenas’

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  all images courtesy of artadi arquitectos

 

lima-based artadi arquitectos have finished the ‘house in las arenas’, a private beach-side residence 100 miles south of lima, peru.  the conceptual diagram consists of a hollowed rectangular box lifted off the ground and oriented towards the sea, bisected by a diagonal interior partition. strategic voids have been added to the outer planes to mediate the amount of light entering the residence andnd funnel views towards the sky and sea. the clean geometric design also offers a simplicity in material and tone, with white surfaces dominating the external components. internal sand-beige hues, the wooden walkways and darker granite tiles lining the foundation and furniture pieces subtly contrast the bright shell.

programmatically, the master bedroom and kitchen find themselves as central elements in the residence, visually connected to the semi-outdoor living area/pool/terrace space. the rest of the service functions can be found concentrically around the main volume, with two smaller sleeping quarters within a semi-basement level. circulation is in the open air, existing in the patio and entrance vestibule, as well as the periphery of the house itself. the regional climate allows the user to inhabit with the dwelling primarily as an external experience.   (db)

 

db, danny. “artadi arquitectos: house in las arenas.” designboom. N.p., 12 07 2012. Web. 14 Jul. 2012. <http://www.designboom.com/weblog/cat/9/view/22307/artadi-arquitectos-house-in-las-arenas.html&gt;.

 


Photographing For Catalogs: Petra Bindel

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Check out this beautiful work by photographer Petra Bindel, for Swedish brand Stringfurniture, her work is crisp, bright and showcases classic Scandi-style interiors at their best. Bindel’s work has consistently appeared in Elle Interiors and Elle Decoration magazines, popped up in Dwell, and appeared across billboards and book jackets.

With 16 years in the business, the photographer has worked with some of the best stylists in the business to build an impressive body of work, about which she enthuses: “I don’t think there is anything more fulfilling than to work with talented people. It’s inspiring and the feeling of creating something together drives me forward and makes me want to do more”, and indeed she is prolific.

The pictures we see here of the String® system–a range of versatile shelving combinations that provide bespoke storage arrangements–exhibits the products in rich imagery, full of depth and clarity, and framed to perfection; the simple lines of the furniture take on an artistic, architectural quality, full of balance and careful geometry.

See more of Petra Bindel’s stunning photography portfolio, and read about her current inspirations, news, and impressive endeavors with a glittering list of industry greats on her blog: www.pertabindel.com.   (Home Designing)

 

Home Designing, . “Photographing For Catalogs: Petra Bindel.” Home Designing. N.p., 05 Apr 2012. Web. 6 Apr. 2012. <Photographing For Catalogs: Petra Bindel>.

 


Inspiring Contemporary Home Invaded by White: Vivienda en Llaveneres

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Spanish interior designer Susanna Cots designed the interiors for a project entitled Vivienda en Llaveneres and located in Sant Andreu de Llavaneres, north of Barcelona, Spain. The design approach is said to be inspired by the tranquility of the neighboring sea: “White predominates and gives to the space a personality that attracts order, and is complemented by colour. The design stretches out to the sea from every part of the house, to allow Nature in. The kitchen, dining room and bedrooms are parallel to the sealine, allowing the exterior to enter the house in many ways, such as through the cubicle that houses the cupboard and the guest bathroom. The outside surface is integrated with the suite’s flooring, the bed head and the bathroom, achieving the same exterior-interior effect”. Enjoy the design ideas displayed by these interiors and let us know which detail would you consider integrating in your own home.  (Freshome)

Inspiring Contemporary Home Invaded by White: Vivienda en Llaveneres. Freshome, 02 Apr 2012. Web. 3 Apr. 2012. <http://freshome.com/2012/04/03/inspiring-contemporary-home-invaded-by-white-vivienda-en-llaveneres/?utm_source=feedburner&utm_medium=email&utm_campaign=Feed: FreshInspirationForYourHome (Freshome.com)>.


Simple Three-story Modern Rectangular House Design

Three-story residence with simple modern rectangular design style. Although has simple exterior and look rigid, this modern rectangular house has completely different style between frontage and rear side. The frontage exterior and half-parts of this modern rectangular house is closed. The frontage coated with glazed aluminum panels. Certain of panels can be automatically open to reveal the windows.

The rear part of this modern rectangular house is completely open. The transparent look achieved by installing the glass sheets walls from rear house until half-part volume of side of house (vertically and horizontally from first until third floor), and of course full-glass sliding doors. The transparent volume overlooks the waterfront and panoramic view beyond.

Inside, more surprising interior design achieved. Most of each zone has double-height ceiling and the interior spaces meandering around center “inner-tower”. The “inner-tower” clad with wood and contains toilets of each floor and as storage, and a dumbwaiter. Beside of three bedrooms, lounge, utility area, and two studies area, this house has an open roof terrace built at third floor. The simple roof terrace directs connect with main bathroom. The furniture and other interior elements details specially created for this modern rectangular house. This modern house design also has sustainable house features, like cold and heat pump, thermal energy storage and solar collectors.  Designed by Heeswijk.(archinspire)

 

archinspire, . Simple Three-story Modern Rectangular House Design. Home Design Ideas, 29 Mar 2012. Web. 30 Mar. 2012. <http://archinspire.com/home-design/simple-three-story-modern-rectangular-house-design.htm&gt;.

 


The modern and adaptable Cabin GJ-9 in Norway

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This is Cabin GJ-9, a modern adaptation of the standard design. It’s situated in Bjergøy, Norway and it was a project by Gudmundur Jonsson Arkitektkontor. The cabin was designed as a space able to adapt to multiple settings. It was designed with no particular site or environment in mind. It’s also a product for mass-production distribution. The main idea behind this project was to come up with a new concept and a general idea for a cabin that would be able to integrate in a variety of places.

It was designed as a cozy cabin that would most likely be places somewhere where there are beautiful views. The cabin features two volumes. They contain the bedrooms and the service area. There’s also a living and dining space in a glazed pavilion in between these volumes. This area has connections to nature in all directions. The cabin has a large roof that accentuates its design and also provides protection for the terrace during rainy days.

The roof also tends to give the impression of a much larger space that it actually is. The Cabin is small but very well planned. The different areas are nicely separated and yet the whole design is brought together by the terrace and the roof. Since the cabin was designed as a modern space for those who like to spend time close to nature and admiring the views, it has lots of glass walls. And since the roof is very simple and also large, it offers the possibility of creating a roof terrace as well.   (Ganea)

 

Ganea, Simona. “The modern and adaptable Cabin GJ-9 in Norway.” Homedit. N.p., 19 Mar 2012. Web. 20 Mar. 2012. <http://www.homedit.com/the-modern-and-adaptable-cabin-gj-9-in-norway/&gt;.

 


Fragmented House / AQSO Arquitectos

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Architects: AQSO Arquitectos – PE. Pinés & Jové
Location: Laguna de Duero, Valladolid, Spain
Ground Floor Area: 200 sqm
Completion: 2012
Photographs: AQSO Arquitectos

‘Arquitectos Office’ (AQSO) has recently completed the construction of the ‘Fragmented house’. The concept solution for this residence starts from a compact block transforming, after several divisions and shifts, into an external broken-down form, result of the arrangement of the interior spaces.

The house is located near Laguna de Duero, a town situated in the municipality of ‘Tierra de Pinares’, in Valladolid. The building is orientated facing west and distributed in two levels: living room and day use spaces in the ground floor and master bedroom upstairs. The form is conceived as a series of juxtaposed elements defining the different atmospheres and spaces.

Therefore, the entrance is demarcated by two parallel blocks and another recessed one working as main access. The front part of the house, facing the garden, is marked out by the cantilevered block where the bedroom at the upper level is located, in contrast with the one of the ground floor. The rear of the house, where the garage can be found, is made up of several stair-shaped elements.

Inside, the living and dining rooms are linked into an open and continuous space just partially blocked by a stone masonry wall and the freestanding staircase giving access to the upper floor. From the master bedroom, provided with a generous walk-in wardrobe and ensuite Jacuzzi, it is possible to access the roof, partially used as terrace with a small solarium.

The façade is made by big scale matte ceramic pieces combined with stone masonry walls, inside there is a predominance of light colors in walls, floor, doors and windows. In the front garden of the house there is a slender swimming pool with spa and an independent block facing the yard with a wide bay window to be opened and converted into a summer house.

King , Victoria . “Fragmented House / AQSO Arquitectos” 15 Mar 2012. ArchDaily. Accessed 19 Mar 2012. <http://www.archdaily.com/216755&gt;

 


Haifa House by Pitsou Kedem Architects

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A private residence built in the center of a historic avenue and at the very heart of Haifa’s French Carmel neighborhood.

The avenue is studded with a number of residences designed in the Bauhaus style. The Bauhaus style gained its hold in Israel in the wake of international styling trends and is a ornament free design style, both simple and down to earth. The style celebrated the aesthetics of the machine and was characterized by uniformity of color and by unassuming and simple finishes and facades. The style faithfully represented the spirit of the age and the location. This project, designed decades later, creates a line that connects contemporary styling with the spirit of that bygone era.

The project emphasizes and sharpens the differences between apparently similar design styles of contemporary minimalism influenced by Japan and the austere moderation of the modernism that characterized the end of the 1950?s. Both of these paradigms translate into a way of life, to the Israeli environment and climate. The sophistication and the minimalism that existed at the heyday of the Bauhaus period have been translated, in this latest reincarnation, into a spacial purity and prestigious restraint.

In his design, the architect has expressed his own, localized interpretation for free planning in which there is a spacial continuity achieved through light, appearance and movement and the placement of secondary spaces around one, large and open central space. The architect has succeeded in creating the experience of continuous, intimate and defined spaces with different levels of symbiotic, mutual interaction with the central space and yet without detracting from the overall understanding of the structure. Despite the intensification of the residences central space which finds expression in a double sized open space reaching the entire height of the building with one completely transparent façade facing the direction of the courtyard, through the use of controlled and restrained formality and the use of materials with no external facings, the designer has succeeded in showing his belief that it is possible to create a residential space of quality and timelessness.

In an attempt to connect with the historic avenue and the houses that have inhabited it since the 1950?s, the architect has paid great attention to homes front facing façade. The front of the building is almost anonymous, for the most part, a closed element, free of unnecessary ornamentation and one that combines a monochromatic color scheme based on the grays and whites that characterized that same era. Only the floating upper roof hints at a harmony with contemporary design. There is a sense of acceptance of the avenues importance and an attempt to assimilate into its, fragile and gentle structure and in no way try to force contemporary architecture on the surrounding environment. Only the floating mass of the roof hints that, despite the desire to be part of the avenues context and the spirit of that historical period, it is clear to the observer that here we have a bold attempt to create an architectural language that leaves a clear signature and the fingerprint of the designer.

The home was, as said, designed around a wide, high public space that constitutes the connecting point and provides a view of all of the homes different wings as well as to the central courtyard and the pool. In order to further strengthen the impact of the central space it has been coated with exposed concrete panels and a large library on the wall as a central motif. A large, ribbon window allows light to enter deep into the space, creating movement and dynamism on the central wall. The architect has covered all of the structures spaces with an expansive roof which appears to be suspended, weightless in the air and floating effortlessly with no apparent means of support. The roof frames and consolidates the various parts of the structure with the apparent dissociation between the roof and the building creating an impressive, formal dialogue.

Movement within the house is accompanied by different views of the outside environment; exposed and open areas and other areas that are framed and focused on a specific view that was designed specifically for that area. The underlying concept of the homes design is one of quiet and formal restraint; the home is a place of tranquility and calm where the minimalistic details, the clean language and the meaning, separate the residents from the world outside. The architecture and the interior design combine a climatic relationship with light and air, an expression of the homes functionality and the uniform design lines both internal and external.

The materials and the colors used for both the interior and the exterior range from white to gray combined with wooden strips. The simple, clean shapes and the light play a central role in the interior design. Shade and light create ever changing performances of shapes and movement, “playing” on the walls, the ceilings and the floors of the building throughout the day. The combination of the geometric light shows against the horizontal and vertical surfaces, made from many different materials, creates a unique atmosphere in the internal spaces and the house’s exterior that make a powerful statement of uniformity and calmness. During the day, natural light entering the residence and its movement creates absorbing light shows. At night, when darkness falls, artificial light, and especially the light seeping out from the pool, create within the structures spaces a totally different atmosphere, one that is almost mystical and magical.

The design of the courtyard is characterized by the same restraint of form with the choice of trees and their placement also communicates with the avenue and the surrounding environment. And so, despite the fact that different worlds and different eras exist in the space between the historical Bauhaus of the avenue and that of this modern and minimalistic home, there still exists a relationship between them, a feeling that one is not strange to the other.

“Haifa House by Pitsou Kedem Architects.” Contemporist. N.p., 22 Nov 2011. Web. 24 Nov. 2011. http://www.contemporist.com/2011/11/22/haifa-house-by-pitsou-kedem-architects/?utm_source=feedburner&utm_medium=email&utm_campaign=Feed: contemporist (CONTEMPORIST).

 


Lucy Chadwick · A Selby film for ZARA

Simple and cozy … from loft to the barn, from city to country living.

 


living spaces with the outdoors while maintaining privacy…

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Description from the architect:

Modest houses on small lots comprise the Quillen’s Point neighborhood, adjacent to the Chesapeake Bay in Ocean View, Delaware.  An eclectic mix of houses, gravel roads ending at the bay and wooded lots provide a nostalgic, informal setting for this new house.  The project site is near the end of Burbage Lane, the second lot from the bay with expectations that the adjacent waterfront lot will eventually be developed.

In an effort to integrate living spaces with the outdoors while maintaining privacy from Burbage Lane and neighboring houses, the scheme is organized around a centrally located garden.  With sixteen foot high ceilings, the eastern volume contains the public living spaces. Continuous clerestory windows assist in providing an abundance of natural light into the space, allowing views to the treetops and sky while minimizing the close proximity of the adjacent houses.  A twenty foot wide glass wall slides into a pocket, enhancing the relationship to the outdoors, and provides a sense of living in a garden.  The two story western volume is comprised of bedrooms and a small second floor living space.  A one story glass link connects the volumes and visually opens to the central garden.

The house was conceived as two simple, flat-roofed volumes, varying in height, intersecting and overlapping a one story circulation space which connects the volumes.  The east volume is constructed with cement board, the west volume with corrugated siding and the one story connecting space with the ground face concrete block.   The exterior material palette is quiet and subdued. Materials are selected for their expected long term durability, ease of installation and initial cost. The impact of the one story horizontal volume facing the street is intended to reflect the scale of neighboring structures while the narrow two story volumes are oriented perpendicular to the street reducing their apparent scale.

This house is designed in strong counterpoint to many of the houses built in the last era of abundant resources, expensive materials, and limitless floor area. The house is not large; it comprises three bedrooms and 2400 square feet.  The house is constructed with modest materials that include concrete floors throughout the first floor, oak flooring on the second floor and plastic laminate and oak millwork.

The house was designed to achieve a balance between recognition of the picturesque Chesapeake Bay landscape and a more intimate, secluded garden environment. Expansive openings to the private garden combined with smaller, selectively oriented openings toward the greater landscape allow for a sense of privacy while maintaining a sensibility of direct connection to the rhythms of nature.

Dave. (2011, November 12). Lujan house by robert m. gurney [Web log message]. Retrieved from http://www.contemporist.com/2011/11/12/lujan-house-by-robert-m-gurney/?utm_source=feedburner&utm_medium=email&utm_campaign=Feed: contemporist (CONTEMPORIST)


Stylish and Modern

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  [Photograpy by Sebastian Zacheriah]

Here is a home showcasing a faultless modern design. Dinesh Mills Bungalow comes from atelier dnD  and is located just outside the city of Vadodara, India. The exterior is absolutely fascinating, as the house seems to float on a spectacular pool, enriched with a lovely decorating fountain. Its turquoise color contrasts the white walls of the residence, giving the home an intriguing aesthetic effect. The living room is impressive in size and opens up to the deck/pool area. Floor to ceiling windows ensure a perfect indoor/outdoor connection and allow natural light to “flood” the interiors. As usual, we invite you take a virtual tour of this lovely home and give us your feedback.  (“Freshome – Interior Design, Decorating & Architecture Magazine”)

“Stylish and Modern: Dinesh Mills Bungalow by atelier dnD.” Freshome – Interior Design, Decorating & Architecture Magazine. 11 Aug 2011. Web. 11 Aug 2011. <http://freshome.com/2011/08/10/stylish-and-modern-dinesh-mills-bungalow-by-atelier-dnd/?utm_source=feedburner&utm_medium=email&utm_campaign=Feed%3A+FreshInspirationForYourHome+%28Fresh+Inspiration+for+Your+Home%29&gt;.

 


a great example of how to decorate a small home with style

Welcome to an extremely well designed apartment with plenty of light and space. Featuring two rooms and a total living space of 54 square meters, this crib is a great example of how to decorate a small home with style. The apartment also has a large superb terrace of 58 square meters, a relaxation oasis with a wooden deck and plenty of room for outdoor furniture. Fascinating flower decoration make this place a fresh getaway and a perfect place to have friends over for a peaceful gathering. A hammock and decorative rock materials contribute to an original atmosphere. The living room is the core of the home, with plenty of seating space, a color palette based mainly on black and white and a lovely dining table.  Large windows add a nice touch to the overall design of the apartment. Have a look and tell us what you think!  (“Freshome – Interior Design, Decorating & Architecture Magazine”)

“Lovely Two Room Apartment with large Terrace and Inspiring Decors.” Freshome – Interior Design, Decorating & Architecture Magazine. 10 Aug 2011. Web. 11 Aug 2011. <http://freshome.com/2011/08/10/lovely-two-room-apartment-with-large-terrace-and-inspiring-decors/?utm_source=feedburner&utm_medium=email&utm_campaign=Feed%3A+FreshInspirationForYourHome+%28Fresh+Inspiration+for+Your+Home%29&gt;.


Small Space, Big Style

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Barcode House is a beautiful contemporary home located in Washington DC and designed by David Jameson Architect. Its name comes from an exterior design detail which consists of a series of horizontal lines which resemble a huge commercial barcode.

This amazing residence is a mixture of old and new, heavy and light. Due to the lack of site space the house is vertically oriented as a solution. Moreover the architect used a lot of floor to ceiling windows in order to create a light, airy space and also gave the rooms the sense of grandeur.

As you can see throughout the entire house the color palette is made out of neutral colors, white and grey which make the space feel bigger. Furthermore every room is furnished in a way that gives the place a great sense of openness and it makes the most out of the minimal.

The Barcode House is a highly functional, high tech and a very high on style home. It has multifunctional, multitasking kitchen, equipped with beautiful stainless steel appliances. This residence is surely noticed in the neighborhood. It is simple, gorgeous and has a clean design.

This house has the perfect balance and becomes a very modern element, a statement of beauty amongst its neighbors. (Andreaa) 

 

Andreaa, Mocanu. “Small Space, Big Style – The Barcode House.” Homedit. 09 Aug 2011. Web. 10 Aug 2011. <http://www.homedit.com/small-space-big-style-the-barcode-house/&gt;.


clean and simple lines in a charming environment

Usually simple things are more appreciated, no matter it is a simple way of regarding a certain situation or a simple object. If we refer to Villa Horatiuslaan, then we can talk about simplicity at high levels and good taste. Located in Utrecht, Netherlands, it was designed by the Dutch Sluijmer & Van Leeuwen Architects. A few words are enough to sum up the entire characterization of this house in an appropriate manner; these words would be clean and simple lines in a charming environment.

The building was divided into two floors, each room having wide glass windows, which provide a great view over the surrounding landscape, but also balconies and a special place for the relaxing moments at the end of a day. The interior keeps the same air of simplicity that makes you feel welcome; the open space of the living room fits perfectly in the pattern.

The blue chairs and the brown table are the expression of simplicity, while the kitchen, which can be seen from the entrance provides the perfect place for the specific household activities, having everything you might think of in the most appropriate atmosphere. The surrounding area completes the entire space with a dream corner, where you can relax in the sun or spend your time with your friends under the trees. If we have the loved ones close and a home in which we feel cozy, we see things quite different, from a better perspective.  (alina)

 

alina, . “A Simple, Suitable Villa by Sluijmer & Van Leeuwen Architects.” Homedit. 09 Aug 2011. Web. 9 Aug 2011. <http://www.homedit.com/a-simple-suitable-villa-by-sluijmer-van-leeuwen-architects/&gt;.