The House has gone through a number of extensions, renovations and repairs. From a humble 25 square meters house on 69 square meters lot to about 700 (including a proposed 5-doors apartments at the back), can you imagine how many has been done through all these years?
With the generous help and support of Arch. Butch who provide an almost free assistance, we finally came up with plan to do what I can say “the realization of our dream”. We were so scared as we know our budget seems not enough to start the project.
It was sometime October 2016, when we had the discussion and came up with the plan to have the renovation. We just wanted to re-roof and improve the facade that would make all previous extensions looks like it was done at one time.
The sketches were drawn and shown to us by the architect.
November 2016 from these initial concepts, it started to snowballed into Olympic scale. These drawing started to take its form as Juni, my well-trusted contractor, started to demolish, break, and rebuilt. Deliveries of materials started to filed up our space and the first hollow block has been set.
What makes us finally decide to have this major decision of rebuilding our house? It’s the leak. This bungalow was actually designed and proposed for another storey in the future. So, obviously all the extension has been covered with a slab roof that would serve later as the flooring for the next phase. Unfortunately, budget did not allow me to push with the rest of my plan yet and it’s a fact that a slab is not a wise idea as a shelter from rain. The leaked damage our ceiling and other stuffs below it. We have to bear that for several years, whilst spending money for repairing and repainting till the next rainy season, again and again.
Hence, we came up with the solution, to cover the roof of the whole house and forgo the idea of the having another floor.
To the real thing (with long time business partners, Edgar for the trusses and Apollo for roofing installation). The roof was a combination of Banawe and Multirib from Puyat Steel (0.50mm).
(To be continued…)
We all know that styles are cyclical and, of course, the world of interior design is not exempt. The best aesthetics will be popular again and again. Right now, mid-century-modern design is making a comeback and, if you ask us, it’s for good reason.
What is it about this aesthetic that keeps us coming back for more over half a century later? We’ll tell you why mid-century modern will never really leave us — and how to work the style into your interiors while making sure they are rooted in the new millennium. After all, sometimes the old way of doing things really is the right way.
What Is Mid-Century Modern?
If you’ve ever seen an episode of Mad Men, you’re already familiar with mid-century-modern design. In fact, the term was coined in 1984 by author Cara Greenberg. She used it to discuss the signature looks of the 1960s in her book Mid-Century Modern: Furniture of the 1950s.
Though the moniker has become a bit broad in the past few decades, it’s most commonly used to refer to the styles that became popular in a post-World War II landscape. While there may be a few variations, most people agree that this time period extends from 1945-1969.
Interestingly, this style doesn’t just refer to aspects of interior design. It is commonly used as a descriptor for any architecture, furniture, accessories, materials and technologies that grew in popularity after the end of the war.
It Showcases Simplicity
When you look at design projects that follow a mid-century-modern style, the one thing you won’t see is tons of excess. Rather than requiring a bunch of ornate embellishments, the mid-century look is all about stripping items down to their barest elements and letting their function become the star.
Keep this in mind when it comes to choosing the items that will fill your space. Look for furniture that has clean lines and, if needed, multiple uses. Stick to décor items that are modern or geometric in their aesthetic.
This concept should also be taken into account when it comes to designing the layout of your space. Rather than cluttering up the room, focus on choosing one strong focal area that will dictate the room’s function. For example, consider using a statement table in your dining room or creating an inviting seating area in your living room. Then, don’t be afraid to step back and allow negative space to play a key role in your design.
It Lets Us Play With Color
Of course, when you focus on bringing simplistic shapes into your space, it becomes necessary to add a layer of visual interest elsewhere. The mid-century-modern look does that by incorporating bold pops of color. Brooke Schneider, a designer based in Long Beach, Calif., explains it best:
“When homeowners think ‘color,’ they often think of the bright hues of the mid-century time period. With clear, cheerful colors, the 1950s exhibited a new American outlook of optimism that was comfortably removed from the drab war years.”
Don’t be afraid to go big with shades like blueberry, citron or fire-engine red. Just be sure to avoid mixing multiple loud colors like they did in that time period. Doing so might make your space look more outdated than retro-inspired. Instead, focus on tempering one colorful statement piece with more neutral hues to ensure a modern twist on this style of design.
It Connects Us With Nature
Since mid-century-modern design is all about simplicity, it makes sense that this school of style would harbor a strong connection to nature. In particular, those who are looking for ways to embrace sustainable design may be interested in what this aesthetic has to offer.
First, it’s important to consider how nature can affect the layout of the space. In mid-century architecture, large windows often play a key role. But anyone can work off those principles by making windows the focal point of your space whenever possible and making sure that they stay unencumbered from heavy drapery.
As for the design elements to fill your space, focus on choosing items made from natural materials such as wood, metal and leather or cotton textiles. Don’t be afraid to bring the outside in by adding greenery to accent your design.
There’s a reason why mid-century-modern design is present in our consciousness after over a half-century since its debut. Whether it’s the clean lines, bold colors or connection to nature, this school of style is currently making a big comeback in interior design.
Mario Martins Atelier designed this swimming pool at a home in Portugal, where the design intention was described as “simple with a quiet presence, and where the natural vegetation, of almond and carob trees, typical of the Algarve countryside, predominates.”
Photography by Fernando Guerra FG + SG
Photography courtesy of A.D.D. Concept + Design
Farmhouse by A.D.D. Concept + Design (Farmhouse by A.D.D. Concept + Design)
Photographs: Leonardo Walther
Bitar Arquitectos have designed the GP House in Hidalgo, Mexico.
“GP House by Bitar Arquitectos.” CONTEMPORIST. N.p., 26 Mar 2013. Web. Web. 27 Mar. 2013. <http://www.contemporist.com/2013/03/26/gp-house-by-bitar-arquitectos/>.
(Photography by Daniel Tejo and Adriana Edith Sierchuk)
Barrionuevo Sierchuk Arquitectas have designed the Agua House in Buenos Aires, Argentina.
From the architects:
The site is 2.000sq. meters (21,530 sq ft), facing the Northeast, looking at the Canal Arias river, in the suburbs of Buenos Aires. It has 450sq meters (4,840 sq ft) and it is designed for a couple without kids, with, in the ground floor, a program of very big reception areas, that opens and closes by very big wooden sliding doors that hides into the walls.
In the first floor are the Master Bedroom and another small bedroom for guests.
The house is designed based on two stone walls (made of Laja Neuquen) that interact all over the house. The colour of the stone is the origin of all the color pallet of the house.
The landscape all the time gets to the building across it’s big crystal facades.
The light transforms the house along the day.
“Agua House by Barrionuevo Sierchuk Arquitectas.” Agua House by Barrionuevo Sierchuk Arquitectas. N.p., 18 Mar 2013. Web. Web. 19 Mar. 2013. <http://www.contemporist.com/2013/03/18/agua-house-by-barrionuevo-sierchuk-arquitectas/?utm_source=feedburner&utm_medium=email&utm_campaign=Feed: contemporist (CONTEMPORIST)&utm_content=Yahoo! Mail>.
Located in the historic district of North Carolina’s Chapel Hill town, the GK House sits on a 1.5 acre site sloping from east to west. Accessible via an easement through an adjoining property, this imposing structure gathers wood, stone and glass in a contemporary display of architecture. Originally part of the Coker Estate, where amateur botanist Dr Coker composed a distinctive collection of plants derived from his experiments, the house sits surrounded by woods and greenery that offer an original outdoor experience. Constructed after the sketches of Raleigh- based Kenneth Hobgood Architects, the residential structure replaces the original house that burned down to the ground and took part of the vegetation down with it. Collaborating with landscape architect Michael Van Valkenburg, architects managed to revive the grounds and compose a bright, cheery and stylish set of interior and exterior spaces, as you can see in the photos. (Teicu)
Teicu, Ada. “Replacing a Burned Down House Surrounded By Experimental Vegetation: GK House.” Freshome Design & Architecture. N.p., 12 Aug. 2012. Web. Web. 12 Aug. 2012.